(from 1980 to 1987)

[...] Using the instruments of painting with absolute freedom, Balsamo produces
a catalogue of data with a precise function, that is to establish a contact - more private than
aesthetic - made dynamic by the quickness of optical-perspective movements, looking for a dialetic
relationship where the significant element, that is man, may be present even if physically absent.
He obtains that throught an accretive process of form, inside which, as in the flux of breating,
the shifty image creates singular suspensions where his itinerary gets to maturity. [...]
Vito Apuleo
(by: E. Crispolti, Vincenzo Balsamo, monography, 1992, p. 58, ed G. Corbelli)


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Composizione vivace


Oggetti sul tavolo


Scratched
(Graffiato)


Hot emotions
(Calde emozioni)


A night... at Venice
(Una sera... a Venezia)


Boring day
(Giornata uggiosa)


Spazi Tonali


Passaggio a Nord-Ovest


La casa con i muri bianchi


Geometrie astratte


Segni arcaici


I contendenti


Architetture misteriose


Un lampo di luce


Senza titolo


Senza titolo


Intimacy
(Intimità)


The letter
(La Lettera)


Le prime ore della sera


A(S)(T)RAZIONE


Susseguirsi di cromie


La vela lascia il porto


"Ala"


Romantic recall
(Ricordo romantico)


Laughing hills
(Colline ridenti)


The "Harbor"... discovery
(Il "Porto"... ritrovato)


Youth remember
(Ricordo di gioventù)


Abstract
(Astratto)


Objects in evolution
(Oggetti in evoluzione)
Mysterious architectures
(Architetture misteriose)



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