[...] The Balsamo's paintings appear and are composed, on fields of tension that are originated
event-light from the relationship: they are in their scores hypersensitive surfaces "detectors" of
dawning events of light and of color, of breakthroughs and of sinkings, of approaches and
of leaving, of incipient spatial perspectives, lost in a sea of brightness [...]
(by: M. Vescovo, Il punto luminoso delle fluttuazione, exhibition catalogue,
Oratorio De' Discplinanti in Final Borgo, 2002, ed Grafiche Aurora )
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